Showing posts with label character design. Show all posts
Showing posts with label character design. Show all posts

Thursday, August 8, 2013

Ladies on the bus!

i don't know the statistics on this, but it seems to me women use public transportation more.
They also turn their heads in more angles i can draw :)



this one had her back to me so i only got the outline of her hair - and added an imaginary face

Saturday, March 2, 2013

Tuesday, January 22, 2013

Lift n' Toss

An old animation exercise - the Lift and Toss exercise is the first one we get in school that has a proper character we can animate (not a flour sack or ball and the like), and it also deals with weight - the way it is first carried and then disposed of. 

At first i came up with a mean little girl, who picks up a present which isn't hers and tosses it away. 

character rotation

first - getting ready to pick up

struggling with the lift

then the toss!
I never got to finish it since i unfortunately left at the middle of the semester.. and this is the only file i managed to find of the animation: partial and requires a lot more work, but at least the beginning is somewhat to my liking -


Then when i came back in 2010, i wanted to go for a character that would be atypical and hard for me - a big, burly man. a caveman! 
somehow they all turn out super-curvy at the end. i HAVE to tone it down with the crazy curves. but, for the character rotations, a deadline's a dealdine:



and the final animation:


Hope you enjoyed!

Now i have a fully functioning YouTube account with videos and everything! my other animation are uploaded there as well.
you're welcome to check it out here:




Monday, December 5, 2011

Hola!

This is actually new! hoorah. It's a completed drawing made from a recent sketch. a first!
I hope to do more of these soon.


I liked working with a limited palette (as opposed to the non-existing palette i usually use :) and it actually kind of fit what i had in mind when making the very sketchy sketch.

  I imagined her as maybe a singer in a Cuban night club, though i didn't work with any reference. so since I had no ideas for a background, I left her floating on the scanned doodle page, looking at the other crappy doodles in puzzlement, for now.

initial sketch:


Hasta luego!

Tuesday, July 20, 2010

Hallelujah!

I'm finally done with 3 out of 4 elective courses for the animation degree!
Since they're not supposed to be related to art and/or film, it's a chance to study something that might be interesting yet you never got the chance to get into.

One of those courses was Bible studies, specifically the book of Genesis. It also happened to be the heaviest elective i encountered:


A strange choice, most of my friends thought, for such a non-spiritual person. Actually i think taking this course may challenge the believer much more than the non-believer. We study the text from a literary research point of view, not a religious one. But hard as we try to treat this as any (ancient) literary text that's been put together by multiple sources over long periods of time - everybody arrives in this class with preconceptions about the "good book".
This might be true just about anywhere in the Judo-Christian world, but here in Israel we study the Old Testament for at least 11 years, as a mandatory subject we get tested on at the end of high school just like math and English. Not to mention all the religious-cultural-political (so incredibly sad) meanings you carry around regarding it, just by living here, just by osmosis (even the non-patriotic secular - even an atheist - can't turn away from those effects completely).

In any case, this class has a way of shattering a lot of ideas students have acquired through the years, by trying to analyze scripture as just what it is - a text, however heavy-laden with cultural, historical and, alas, spiritual meaning to many people. At least, I think, that's the objective of many researchers in the field. But reading many (many!) articles, we've also seen that even they tend to place too much meaning where there might be very little of it, or not any at all. The biblical editors were no doubt artful, but again this text seems to be difficult if not impossible to analyze without being biased one way or the other.
Perhaps this is the case in all academic research, but here you often get the feeling of people desperately trying to force meaning on the text - whether it's because the person analyzing it has a point of view to promote, or because the religious/cultural weight of it feels too great, or simply because it's a difficult, ancient text that inevitably leaves many questions open wide.

A lot of what we've seen researchers try in their articles is finding discrepancies in the ancient text and giving them explanations of all kinds.
But sometimes, in the name of common sense, you can't help but feel these discussions are kind of ridiculous. Take Genesis 17 for example, where Abraham gets yet more promises from his God.
I mean, here are well-educated grown men and women, PhDs at hand, arguing about how logically problematic in the chapter it is having the nighttime (stars act as a visual aid when Abe is shown how plentiful his seed will be) before the sunset (when Abe falls asleep and has a vision)... Really?? This is an OMNIPOTENT god! This is a god that can stop the sun in the middle of sky (Joshua 10)! Hell, he created the sun and moon just a few chapters ago!
I know they're trying to trace the editor's frame of mind, but they're not "problems" or even "gaps" at all as far as he and his audience are concerned! I mean, really - you take a magical dude making an entire woman out of a rib and a talking snake for granted, and you're worried about things not making sense?!

Thinking about all these things while studying obviously led me to doodle. Among the singing flying camels, sad piggies and snakes with speech bubbles, i also considered poor old Abraham. If he knew what would become of the stories of his family...

"Hmm, how did all of this happen?"


With or without all the problems, it is a beautifully written text nonetheless, and studying the storytelling techniques was a big factor for choosing the class. It's quite plainly, an awesome book of stories: human weaknesses and dilemmas propelling the plot guarantee drama and suspense. Even without the miraculous happenings you have the makings of incredibly memorable stories.
From that angle, it's not so much the god in the book that captures us, but the human characters (god manages to do that, i think, mostly when acting very human-like - ha ha).
I have always been fascinated with those, and one my portfolio pieces for the animation program, was my versions of selected female characters of the old testament (be merciful! it's from over 2.5 years ago!):


It's pretty amazing how much art these stories have inspired. One of my latest contemporary favorite adaptations is the "Awakened" photograph series by David LaChapelle: http://gayspirituality.typepad.com/blog/2010/01/awakened-by-david-lachapelle.html
and the not-so-contemporary tower of Babylon scene from Fritz Lang's 1927 "Metropolis": http://www.youtube.com/watch?v=dlfvBgBDpm0 (which also brings me to this amazing Que Sera remix clip by Wax Tailor).
They manage to give the well-known characters and narratives new and profound meanings through their interpretations.

A really funny adaptation of biblical stories and characters can be found in the movie "Year 1" (clips of which kept me strong while studying :)).
On the face of it, it's a silly film exploding with anachronisms, but right under the surface you can find witty anti-religious messages (or even right on the surface - Spoiler Alert!! - the corrupt high priest ends up in the same furnace he had intended for sacrificing virgins..).



For example in this here clip, the sacrificing of Isaac is funny and all, but this and the subsequent scenes actually remind me a lot of things Richard Dawkins (*heart*!) has to say about religious practices (like them and the concepts behind them being perceived as legitimate and revered simply because they are "religious", but actually from any other consideration they present no real reason to be respected, and are simply F-ed in the head - though surely Richard says it better than me :)).

And not to finish on such a serious note, here is a clip from my favorite comedian at the moment, Tim Minchin:


(Keep your eyes peeled for "Storm", Minchin's animated beat poem coming out this year!)

This has been long, so thank you for reading - and i promise less eclectic posts with real drawings in them very soon!

Tuesday, June 8, 2010

Prom Night - or - I *heart* my colored pencils

Put on your best face - it's prom season!
Well, there isn't one style to unify all these girls, i just had a lot of fun coloring them with fancy Prismacolor pencils :D






Saturday, September 19, 2009

A bootilicious sketch-dump

Some curvy ladies from the past year

from the old to the new - this is one of the first sketches I did during first year:

which turned into this, our first character design:


Dec '08




Sometime in semester 2...






and this little one from this month! so there's no voluptuous body to see here, i just wanted to throw it in..

Sunday, July 26, 2009

Character Design Assignments

My favorite subject, in which, alas we had the fewest assignments

Character Posing assignment from the first semester. This is my soldier character (no, it's not a janitor, though some days it sure felt like a fine line..)
* any connection with real people and events is purely UNcoincidental :)



The second semester was all about antropomorphic characters, and this is my lion for the "character in sequence" assignment. After submitting it i thought of some improvements, so i won't dump all 16 panels on you, just introduce the furry narcissus and a little taste of what happens to him later on :)



And the last assignment of the year - full character pack.
This one is a toddler red-panda, whose personality and attitude are based on stories i had heard of my cousin's daughter.
I haven't had a chance to meet her yet, and i hope she won't find this.. :O




I know technically the color of the animation pencil doesn't matter, but Camilla just didn't come out well if she wasn't drawn in pink


... and our last painting assignment was to build an environment for our character.
By far my favorite "painting" assignment of the year, since i didn't have to use a brush at all :P it's all wonderful Prismacolor colored pencils:


and here's another quick sketch from this summer: